Recherche de l'âme
Jasmine. Dallas, Tx. Explorer of the Wild known as America
Recherche de l'âme
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5centsapound:

Émilie Régnier: Mali Passport
via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’
5centsapound:

Émilie Régnier: Mali Passport
via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’
5centsapound:

Émilie Régnier: Mali Passport
via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’
5centsapound:

Émilie Régnier: Mali Passport
via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’
5centsapound:

Émilie Régnier: Mali Passport
via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’
5centsapound:

Émilie Régnier: Mali Passport
via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’
5centsapound:

Émilie Régnier: Mali Passport
via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’
5centsapound:

Émilie Régnier: Mali Passport
via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’
5centsapound:

Émilie Régnier: Mali Passport
via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’
5centsapound:

Émilie Régnier: Mali Passport
via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’
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africannights:

blvck-queen-luxury:

 







Always be yourself. 

This is everything. omg

Yes.

love it.

they give 0 fucks

Yeah like how are you supposed to represent your culture wearing someone else’s clothes?

^


YAAAAS FUCK IMPERIALISM. GET IT BAES
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princeforpeace:

AFRO PUNK FEST ‘14
INSTA: ellenxtellnobody
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blackgirlsrpretty2:

onlyblackgirl:

bvsdpvpi:

mootscicle:

Chris Tucker hitting that Shmoney Dance

shmurda just be stealin everything

All these dances y’all think are “new” them oldheads been doing for 50+ years.

bolded*
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don’t talk shit if ya lips chapped
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shanitasims:








Geli Forlefac by Shanita Sims



Outtake, 'Red Solstice'
IG: richlilpoorgirl
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misconceptions about strippers. 





misconceptions about strippers. 





misconceptions about strippers. 





misconceptions about strippers. 





misconceptions about strippers. 





misconceptions about strippers. 
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Album Art
195,447 plays Source
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